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  How Excellent is Thy Name

Erik L.F. Contzius - Baritone, Kimberley Marshall - Organ

LRCD1011

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HAZZAN ERIK L. F. CONTZIUS was born and raised in Parsippany, New Jersey. He took an interest in Jewish music early in life, being inspired by both his grandfather, Joseph Contzius (of blessed memory) and Rabbi Daniel Franzel.     

He received his bachelor’s degree from Rutgers University, New Brunswick, New Jersey and is a proud alumnus of the Rutgers University Glee Club. While studying abroad in York, England, Hazzan Contzius performed extensively in oratorios and musical productions, including playing the Pirate King in Gilbert & Sullivan’s Pirates of Penzance. From Rutgers, Hazzan Contzius continued his studies by attending the Hebrew Union College - Jewish  Institute of Religion, School of Sacred Music. There he studied with such Hazzanim as Faith Steinsnyder Gurney, Martha Novick, and Jacob Mendelson, whose coaching styles he greatly admires. While attending the college, Hazzan Contzius studied voice with Tom Lomonaco, to whom he owes much of his vocal technique.   

Hazzan Contzius appears on the recent compact disc recording “Celebrate Hanukkahh”, as guest cantor with the Westminster Youth Chorale of Rider College, and Yamim Noraim - Days of Awe, (conducted by Dr. Samuel Adler avaliable through Transcontinental Music Publications).     

Hazzan Contzius presently serves as cantor and music director of Congregation Keneseth Israel in Elkins Park, Pennsylvania. He previously served as cantor at Temple Israel of Omaha, Nebraska from 1995-1998.  He also sits on the board of the American Conference of Cantors and edits their monthly newsletter, Koleinu.

In 1998 Hazzan Contzius was invited along with Ms. Marshall to perform in the International Organ Festival of Göteborg, Sweden.

 

 

 

In 1986, Kimberly Marshall received the D.Phil. in Music from the University of Oxford, and she has presented her research to the American Musicological Society, King’s College London, Trinity College Dublin, the Schola Cantorum in Basel, and the Sydney Conservatorium in Australia. 

Her concert engagements include Notre-Dame, Paris, Chartres Cathedral, London’s St. Paul’s Cathedral and Royal Festival Hall, King’s College, Cambridge, Uppsala Cathedral, and the Dormition Abbey in Jerusalem. She enjoys tailoring programs to the styles of the instruments she plays, performing on many historical organs, such as the Couperin organ at Saint-Gervais, Paris, the Gothic organ in Sion, Switzerland, and the Cahman organ in Leufstabruk, Sweden.   

Kimberly Marshall was a recitalist and workshop leader during the last three National Conventions of the American Guild of Organists (Dallas, 1994 and New York, 1996, and Denver, 1998). She is affiliated with the Organ Research Center in Göteborg, Sweden, and is currently Associate Professor of Music at Arizona State University.

 

 

 

 

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